To characterise individual artworks or – art as such – as a “weapon” is not uncommon in modernity.

Comme chaque année, le DFK Paris participe activement au Festival de l’histoire de l’art que l’INHA organise au château de Fontainebleau.

Since the 1990s, a diverse range of artistic productions – including individual artworks, installations, curated exhibitions, and collective artistic activism – have formed side programs of and int