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      • Arts and Migrations in Argentina (1900-1950)
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • European ceiling painting, 17th-18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Between Art, Research, and Occupation Policy
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Conques in the Global World
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • Object Studies in Art History
      • OwnReality. To Each His Own Reality
        • Sources
        • Timeline of Exhibitions
        • Interviews
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          • International Meeting 2013
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          • Publications by the Team Members
          • Cycle of Symposia “Art History Authorities”
        • Research Team
        • Acknowledgement
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 and 23/24 – The Visible and the Sayable
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Main navigation EN

  • DFK Paris
    • About
      • History
      • Hôtel Lully
      • Activity Reports
      • The DFK Paris Foundation
      • Sponsors
      • Partners
      • Equal Opportunities
    • Team
      • Management
      • Secretariat / Event Management
      • Administration
      • Library
      • Research Funding Opportunities
      • Publications of the Series Passages Online
      • French Publications of the Series Passages and Passerelles
      • German Publications of the Series Passages and Passerelles
      • Additional Functions of the Staff
    • Research Fellows and Guest Scholars
    • All Contacts A–Z
    • Academic Advisory Council
    • Alumni
    • Job Offers
  • Research
    • Current Research Projects
      • Arts and Migrations in Argentina (1900-1950)
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • European ceiling painting, 17th-18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Between Art, Research, and Occupation Policy
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Conques in the Global World
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • Object Studies in Art History
      • OwnReality. To Each His Own Reality
        • Sources
        • Timeline of Exhibitions
        • Interviews
        • Case Studies
        • Database and Research Tool
        • Project Activities
          • International Meeting 2013
          • Workshops
          • Visits to Archives
          • Lectures by the Team Members
          • Publications by the Team Members
          • Cycle of Symposia “Art History Authorities”
        • Research Team
        • Acknowledgement
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 and 23/24 – The Visible and the Sayable
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
    • Monographies
    • Collaborations
    • Journals
    • Ordering
  • Library
    • News
    • Information for Users
    • Guided Tours of the Library
    • Digital Services
    • Library Sponsors
    • Catalog / OPAC
    • Library Staff
  • Fellowships & Scholarships
    • Specialized Advising
    • Fellowships
    • Internships
    • Fall Courses
    • Study Courses
    • Franco-German Colloquium Art History
  • Digital DFK
    • Guidelines, Research Data and Software
    • Databases, Digital Sources and Editions
    • Search for People in our Data Collections
    • Prototypes and Studies
    • ART-Dok
    • Digital Publication Formats
  • Events
    • Call for Papers
    • All Events

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New Releases

New Releases

Cover_Passages-Online-8
Passages online No. 8
Thomas Kirchner, Déborah Laks and Elvan Zabunyan (ed.)

L’art en France à la croisée des cultures

Paris/Heidelberg, 2023
Cover_ClassiquesGarnier_no579
Kooperationen
Markus A. Castor, Kirsten Dickhaut and Thorsten Kilian (ed.)

Le Théâtre et la Peinture dans les discours académiques (1630-1730)

La vraisemblance ou les enjeux de la représentation

Paris, 2023
Transmission-and-Gender_Cover
Passages online No. 26
Deborah Laks and Natalia Sassu Suarez Ferri (ed.)

Transmission and Gender

Women Artists as Teachers in the XXth Century

Paris/Heidelberg, 2023
Couverture "Nationalismes, antisémitismes et les débats autour de l’art juif"
Passagen No. 66
Alessandro Gallicchio

Nationalismes, antisémitismes et débats autour de l’art juif

De quelques critiques d’art au temps de l’École de Paris (1925-1933)

Paris, 2023
Cover "Empfindsamkeitsarchitektur"
Passagen No. 65
Felix Vogel

Empfindsamkeitsarchitektur

Der »Hameau de la Reine« in Versailles

Paris, 2023
Barreiro_Couverture
Passagen No. 64
Paula Barreiro López

Compagnons de lutte

Avant-garde et critique d’art en Espagne pendant le franquisme

Paris, 2023

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