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      • Arts and Migrations in Argentina (1900-1950)
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • European ceiling painting, 17th-18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Between Art, Research, and Occupation Policy
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Conques in the Global World
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • Object Studies in Art History
      • OwnReality. To Each His Own Reality
        • Sources
        • Timeline of Exhibitions
        • Interviews
        • Case Studies
        • Database and Research Tool
        • Project Activities
          • International Meeting 2013
          • Workshops
          • Visits to Archives
          • Lectures by the Team Members
          • Publications by the Team Members
          • Cycle of Symposia “Art History Authorities”
        • Research Team
        • Acknowledgement
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 and 23/24 – The Visible and the Sayable
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
    • Monographies
    • Collaborations
    • Journals
    • Ordering
  • Library
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    • Information for Users
    • Guided Tours of the Library
    • Digital Services
    • Library Sponsors
    • Catalog / OPAC
    • Library Staff
  • Fellowships & Scholarships
    • Specialized Advising
    • Fellowships
    • Internships
    • Fall Courses
    • Study Courses
    • Franco-German Colloquium Art History
  • Digital DFK
    • Guidelines, Research Data and Software
    • Databases, Digital Sources and Editions
    • Search for People in our Data Collections
    • Prototypes and Studies
    • ART-Dok
    • Digital Publication Formats
  • Events
    • Call for Papers
    • All Events
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Main navigation EN

  • DFK Paris
    • About
      • History
      • Hôtel Lully
      • Activity Reports
      • The DFK Paris Foundation
      • Sponsors
      • Partners
      • Equal Opportunities
    • Team
      • Management
      • Secretariat / Event Management
      • Administration
      • Library
      • Research Funding Opportunities
      • Publications of the Series Passages Online
      • French Publications of the Series Passages and Passerelles
      • German Publications of the Series Passages and Passerelles
      • Additional Functions of the Staff
    • Research Fellows and Guest Scholars
    • All Contacts A–Z
    • Academic Advisory Council
    • Alumni
    • Job Offers
  • Research
    • Current Research Projects
      • Arts and Migrations in Argentina (1900-1950)
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • European ceiling painting, 17th-18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Between Art, Research, and Occupation Policy
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Conques in the Global World
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • Object Studies in Art History
      • OwnReality. To Each His Own Reality
        • Sources
        • Timeline of Exhibitions
        • Interviews
        • Case Studies
        • Database and Research Tool
        • Project Activities
          • International Meeting 2013
          • Workshops
          • Visits to Archives
          • Lectures by the Team Members
          • Publications by the Team Members
          • Cycle of Symposia “Art History Authorities”
        • Research Team
        • Acknowledgement
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 and 23/24 – The Visible and the Sayable
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
    • Monographies
    • Collaborations
    • Journals
    • Ordering
  • Library
    • News
    • Information for Users
    • Guided Tours of the Library
    • Digital Services
    • Library Sponsors
    • Catalog / OPAC
    • Library Staff
  • Fellowships & Scholarships
    • Specialized Advising
    • Fellowships
    • Internships
    • Fall Courses
    • Study Courses
    • Franco-German Colloquium Art History
  • Digital DFK
    • Guidelines, Research Data and Software
    • Databases, Digital Sources and Editions
    • Search for People in our Data Collections
    • Prototypes and Studies
    • ART-Dok
    • Digital Publication Formats
  • Events
    • Call for Papers
    • All Events

DFK Paris - German Center for Art History Paris

 
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New Publication in Open Access
Autour d’un livre 11.10.2023
 
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28.09.2023
to
29.09.2023
Workshop
Interner Workshop: Forschungsfeld Surrealismus im deutschsprachigen Raum
28.09.2023
18:30
Lecture
Andrea Gremels – Lydia Cabrera. Le merveilleux afro-caribéen et le surréalisme ‹ dissident ›
04.10.2023
to
05.10.2023
External Event
Internationales Nachwuchskolloquium Frankreich – Deutschland / Colloque international France – Allemagne
11.10.2023
18:30
Autour d’un livre
Monika Juneja, Can Art History be Made Global?

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