Skip to main content
Main navigation EN
Institute
Mission
People
Staff
Research Fellows and Guest Scholars
Academic Advisory Council
Alumni
History
Additional Functions of the Staff
Equality
DFK Paris Foundation
Sponsors
Call for Applications
Research
Research Profile
Research Projects
Annual Themes
Publications
About
All Publications
New Releases
Passages
Passages online
Passerelles
Monographies
Collaborations
Journals
Ordering
Library
About
News
Information for Users
Guided Tours of the Library
Digital Services
Library Sponsors
Catalog / OPAC
Library Staff
Special Collections
Hans-Peter Bühler’s Image Archive
Fellowships & Scholarships
About
Contracts for Doctoral Candidates
Fellowships
Internships
Fall Courses
International Networking Event
Study Courses
Franco-German Colloquium in Art History
Postdoc-Forum Frankreichforschung
Digital DFK
About
Databases, Digital Sources and Editions
Digital Publication Formats
Guidelines, Research Data and Prototypes
Newsletter
deutsch
français
Search
Main navigation EN
Institute
Mission
People
Staff
Research Fellows and Guest Scholars
Academic Advisory Council
Alumni
History
Additional Functions of the Staff
Equality
DFK Paris Foundation
Sponsors
Call for Applications
Research
Research Profile
Research Projects
Annual Themes
Publications
About
All Publications
New Releases
Passages
Passages online
Passerelles
Monographies
Collaborations
Journals
Ordering
Library
About
News
Information for Users
Guided Tours of the Library
Digital Services
Library Sponsors
Catalog / OPAC
Library Staff
Special Collections
Hans-Peter Bühler’s Image Archive
Fellowships & Scholarships
About
Contracts for Doctoral Candidates
Fellowships
Internships
Fall Courses
International Networking Event
Study Courses
Franco-German Colloquium in Art History
Postdoc-Forum Frankreichforschung
Digital DFK
About
Databases, Digital Sources and Editions
Digital Publication Formats
Guidelines, Research Data and Prototypes
Newsletter
Passerelles
Isabelle Jansen
Franz Marc et l’art français du XIXe siècle
Paris, 2007
Passerelles
Herbert Molderings
L’art comme expérience
Les « 3 Stoppages étalon » de Marcel Duchamp
Paris, 2007
Passerelles
Pierre Vaisse
Reître ou chevalier ?
Dürer et l’idéologie allemande
Paris, 2006
Passerelles
Silke Schmickl
Les « Museum Photographs » de Thomas Struth
Une mise en abyme
Paris, 2005
Passerelles
Willibald Sauerländer
Essai sur les visages des bustes de Houdon
Paris, 2005
Passerelles
Werner Hofmann
Daumier et l’Allemagne
Paris, 2005
Passerelles
Jürgen Schilling
Études pour un portrait de Van Gogh par Francis Bacon
Paris, 2005
Passagen No. 42
Andreas Beyer and Dario Gamboni (ed.)
Poiesis
Über das Tun in der Kunst
Berlin/Munich, 2014
Passagen No. 41
Andreas Beyer and Danièle Cohn (ed.)
Die Kunst denken
Zu Ästhetik und Kunstgeschichte
Berlin/Munich, 2012
Passagen No. 39
Thomas W. Gaehtgens
L’art, l’histoire, l’histoire de l’art
Paris, 2011
Pagination
Previous page
‹‹
Page 10
Next page
››
Subscribe to French